“Arthur Gottschalk’s Section for horn quartet and timpani (1991) is an example of pandiatonic minimalism. The interpolations of the timpani serve to introduce intensification of dynamic levels. The score of this work is without any performance markings, leaving decisions regarding dynamic, phrasing, tempo, and articulation to the performers.” – Patricia Mickey, Salina, Kansas Symphony. include citation American Music, Vol. 12, No. 2 (Summer, 1994), pp. 227-228 Published by: University of Illinois Press
